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However, studio sessions ended prematurely due to a lack of inspiration.

She resumed production immediately after the breakdown of her relationship, channelling her heartbreak and depression into her songs.

If it's good enough for Mark Twain, it's good enough for us.

Follow in the great wordsmith's wake on a paddlewheel cruise down the mighty Mississip', and stop in for ribs in Memphis, a blues concert in the Delta or some jazz in New Orleans.

However, studio sessions were generally unproductive and, after two weeks, yielded only one song recorded to the singer's satisfaction—the Jim Abbiss-produced "Take It All," a lovelorn piano ballad not unlike the songs on 19.

Adele had written "Take It All" during a difficult moment in her relationship.

A thumping drum beat was set to mimic her racing heartbeat.

British producer Fraser T Smith recalled following a similar trajectory when he teamed up with Adele to compose the subsequent third single "Set Fire to the Rain" at his My Audiotonic Studios in London.

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The album was named after the age of the singer during its production.

When she played the song for her boyfriend, the two got into a bitter argument that culminated in the end of their 18-month relationship.

Heartbroken but musically stimulated, Adele channelled her rush of emotions into her music, crafting songs that examined her failed relationship from the perspectives of vengeful ex-lover, heartbroken victim, and nostalgic old flame.

In the United States, the album held the top position for 24 weeks, longer than any other album since 1985 and the longest by a female solo artist in Billboard 200 history.

It's also the most certified album ever with more than 400 certifications all over the world.

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